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Deciding to experiment after having exhausted the "folksinger with guitar" format, Baez turned to Peter Schickele, a classical composer, who provided classical orchestration for this album

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Havets Vargar is the third studio album released by Viking metal band Mnegarm. It was released in 2000. "Havets vargar" means "wolves of the sea" in Swedish.

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Strictly Limited to 1000 Copies Tour Edition. Incl. New Tracks from Tyr & Alestorm's upcoming albums, as well as the best Of Heidevolk Exclusively available through Napalm Records.

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Baptism: A Journey Through Our Time was a 1968 album of poetry spoken and sung by Joan Baez. Peter
Schickele (of P. D. Q. Bach fame) did the orchestration, as he did on 1967's Joan.
The album was released during a time when many folk, pop and rock artists were experimenting with mixing
their music with classical orchestration (e.g. The Beatles, Judy Collins, The Rolling Stones.)

Though she was earliest known as a folk traditionalist, Joan Baez has long been recognized for her good taste in contemporary songcraft. Four decades after introducing the young Bob Dylan to a wider listenership, she here finds kindred spirits in a range of artists from Greg Brown ("Sleeper," "Rexrith's Daughter") to Gillian Welch and David Rawlings ("Caleb Meyer," "Elvis Presley Blues") to Natalie Merchant (whose "Motherland" could have been written made to order for Baez) to young Josh Ritter ("Wings"). Her empathic version of the standout "In My Time of Need" by Ryan Adams shows that whatever she's lost in the upper register of her soprano, she's gained in the interpretive depth of her lower register. She also covers the comparatively quirky "Rosemary Moore" by Adams' former Whiskeytown bandmate, Caitlin Cary. Though the closing "Christmas in Washington" finds her pristine vocal smoothing the emotional rough edges from Steve Earle's original, most of the rest finds her not only selecting inspired material, but doing justice to it. --Don McLeese